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In the Mahapurna School, we already have a similar topic: Life Outside the Body
Of course, the person themselves is the most perfect apparatus for receiving any desired signals.
But there are few people who have decided to use this ability.
Therefore, various tools come to the rescue.
I especially want to highlight this post of mine: Life Outside the Body
It basically says that nobody dies; everyone is alive and has always been alive. And those whom you call “the dead” are simply living on some other planet right now. If they had the technical means, they could fly to visit their living relatives.
And some may even be able to communicate by radio, for example.
“The electronic voice phenomenon, or EVP (Electronic Voice Phenomenon), is the appearance on audio recordings of noises resembling a human voice.
The world is much more complex than religions describe it.
The world is not divided into spiritual and non-spiritual; people are divided into living and dead.
It is not very difficult to understand that all this diversity is frightening. Although many people are frightened by everything in general—especially by what they do not understand.
But if we want to know more, it is important for us to move into the unknown. Once even America had not yet been discovered. But there were determined people who were not afraid of the new and the unknown...
Below is a playlist of various videos.
Scroll through it.
One of the videos in this playlist contains instructions on how to listen to messages of this kind.
Essentially, this is accessible to anyone. And the number of enthusiasts who are already communicating practically directly is growing, because electronic technology is now available to everyone—at least a smartphone and a computer.
Listen and watch:
Once again, I want to repeat that what was discussed here has been studied since the 1930s! As soon as the discovery—invention—of recording broadcasts appeared, people immediately began noticing this phenomenon.
Of course, the person themselves is the most perfect apparatus for receiving any desired signals.
But there are few people who have decided to use this ability.
Therefore, various tools come to the rescue.
I especially want to highlight this post of mine: Life Outside the Body
It basically says that nobody dies; everyone is alive and has always been alive. And those whom you call “the dead” are simply living on some other planet right now. If they had the technical means, they could fly to visit their living relatives.
And some may even be able to communicate by radio, for example.
“The electronic voice phenomenon, or EVP (Electronic Voice Phenomenon), is the appearance on audio recordings of noises resembling a human voice.
The world is much more complex than religions describe it.
The world is not divided into spiritual and non-spiritual; people are divided into living and dead.
It is not very difficult to understand that all this diversity is frightening. Although many people are frightened by everything in general—especially by what they do not understand.
But if we want to know more, it is important for us to move into the unknown. Once even America had not yet been discovered. But there were determined people who were not afraid of the new and the unknown...
The Phenomenon of a Voice from “the Other Side”: What Appears When Sound Is Recorded
In the cultures of all peoples and religions, there is an understanding that an afterlife exists, where the souls of the dead go. Since the advent of sound-recording and playback devices, some researchers have claimed that these devices can be used to “capture” the speech of people from “the other side,” and they offer certain evidence of this.
Edison’s Work
The electronic voice phenomenon—the transmission of strange sounds and fragments of speech that can possibly be captured through audio equipment—has been known since the late nineteenth century. Interested people began experimenting with it even then, using phonographs. Even in Russian aristocratic estates, entire séances were held in an attempt to “speak” with the dead.
It is possible that scientists would have treated this phenomenon not so much with skepticism as with open irony, pointing to the organizers’ vivid imagination. But today, among researchers of this phenomenon, there are quite a few respected and serious people.
One of the first to study the phenomenon of a “voice from the other side” was the American inventor and entrepreneur Thomas Edison, the creator of the phonograph and the incandescent electric lamp. On October 30, 1920, he published the following in an issue of the scientific journal Scientific American:
“...If personality, or what we call the soul, continues to live after death, then it is natural to assume that it would wish to communicate with those it left here on Earth. I think it is possible to create an instrument that would record messages from beyond...”
According to Edison himself, he constructed something resembling a necrograph based on the phonograph—an apparatus capable of detecting waves emitted by the substance of a deceased person that continues to exist energetically somewhere in Earth’s atmosphere or in outer space.
American historians studying Thomas Edison’s life and scientific discoveries claim that by the beginning of the 1930s he had entered into several agreements with his followers, including many scientists, mechanics, and journalists, on the condition that if they died before 1930, they would certainly attempt to contact him “from the other side.” It is allegedly said that the inventor retained recordings of conversations with his friend and colleague William Dinudi, who supposedly contacted him from the “afterlife.” Moreover, documents confirming this, as well as the necrograph’s blueprints, reportedly survived and are held by a collector who acquired them from the heirs at the beginning of the First World War.
Cases Reported in Newspapers
According to researchers of this kind, electronic devices capable of detecting sounds and radio waves can convert a signal inaudible to the human ear into one that is perfectly distinguishable. In the 1930s, European newspapers wrote about this extensively.
First, Norwegian and British pilots, during a joint mission, heard strange voices in their headphones while flying as an entire squadron. Many officers insisted that they recognized their deceased relatives among the speakers.
Then, at London’s Wigmore Hall concert venue, hundreds of spectators witnessed an unusual phenomenon. As they prepared to listen to a concert and watched workers install a microphone on the empty stage, they suddenly heard voices coming from the speakers, uttering phrases in different languages. Sound engineers were unable to explain the phenomenon.
In September 1952, in Milan, two Catholic priests, Gemelli and Ernetti, installed a loudspeaker in a church so that all the parishioners could hear the Mass clearly. Since it was a festive service with many hymns, they decided to record everything on tape. Suddenly, during the Mass, the sound stopped and a phrase was heard: “I am always with you and I will help you!” After the service ended, the priests listened to the recording from beginning to end and recognized the voice captured on it—it belonged to one of their colleagues, who had died shortly before that day. The magnetic tape was preserved in the church.
“The Jürgenson Effect”
But the best-known documented case involved the Estonian-Swedish artist and documentary filmmaker Friedrich Jürgenson. In 1959, he recorded birdsong in a forest, and when he listened to the tape at home, he discovered that another recording had been superimposed on the sounds. A man was discussing the habits of birds in Estonian.
Jürgenson thought he had somehow recorded a radio broadcast about birds and even called all the radio stations that were operating. But it turned out that none of them had broadcast anything of the kind that day. When Friedrich Jürgenson listened to the same recording several weeks later, the ornithologist’s account was no longer there. Instead, the agitated voice of his mother sounded: “Friedel, my little Friedel, can you hear me?!” Jürgenson claimed that only his mother had called him that in childhood.
For several years, this artist and filmmaker devoted himself to studying possible communication with people who had died prematurely. In the 1960s, he wrote the books Radio Communication with the World of the Dead and Voices from the Universe.
One of his readers was the Latvian philosopher and professor Konstantin Raudive, who initially approached such research skeptically and even called it “the ravings of a madman.” Later, however, Raudive decided to test “radio communication with the dead” himself, recruited electronics engineers, and created a special receiver. With its help, he subsequently recorded several thousand mystical voices, one of which, he claimed, even belonged to the poet Vladimir Mayakovsky.
Based on this research, Konstantin Raudive wrote many books, a considerable number of which were later translated into various European languages.
However, amid such “bourgeois discoveries,” an interview with a local resident was published in one of the Soviet newspapers in Odesa in the 1960s. He said that he personally knew Friedrich Jürgenson. Until 1925, Jürgenson had lived in Odesa with his parents. He was an enthusiastic young man who sometimes attended the Odesa Art Academy, then dropped out and went to study music at the Odesa Conservatory.
Even then, Jürgenson considered himself extraordinarily gifted and artistically sensitive, and dreamed of becoming famous by seeing or hearing something otherworldly that he could capture on canvas or record in musical notation.
Sometimes people really do hear and see what they strongly want to experience. This may explain the numerous cases around the world in which audio and even video communication is established between living people and deceased relatives whom their families miss.
The possibilities of human imagination and desire are so boundless and so far from fully understood that doctors around the world seriously study the “placebo effect”—a sincere belief that some miraculous medicine is helping a patient recover from a fatal illness, resulting in an actual recovery.
In the cultures of all peoples and religions, there is an understanding that an afterlife exists, where the souls of the dead go. Since the advent of sound-recording and playback devices, some researchers have claimed that these devices can be used to “capture” the speech of people from “the other side,” and they offer certain evidence of this.
Edison’s Work
The electronic voice phenomenon—the transmission of strange sounds and fragments of speech that can possibly be captured through audio equipment—has been known since the late nineteenth century. Interested people began experimenting with it even then, using phonographs. Even in Russian aristocratic estates, entire séances were held in an attempt to “speak” with the dead.
It is possible that scientists would have treated this phenomenon not so much with skepticism as with open irony, pointing to the organizers’ vivid imagination. But today, among researchers of this phenomenon, there are quite a few respected and serious people.
One of the first to study the phenomenon of a “voice from the other side” was the American inventor and entrepreneur Thomas Edison, the creator of the phonograph and the incandescent electric lamp. On October 30, 1920, he published the following in an issue of the scientific journal Scientific American:
“...If personality, or what we call the soul, continues to live after death, then it is natural to assume that it would wish to communicate with those it left here on Earth. I think it is possible to create an instrument that would record messages from beyond...”
According to Edison himself, he constructed something resembling a necrograph based on the phonograph—an apparatus capable of detecting waves emitted by the substance of a deceased person that continues to exist energetically somewhere in Earth’s atmosphere or in outer space.
American historians studying Thomas Edison’s life and scientific discoveries claim that by the beginning of the 1930s he had entered into several agreements with his followers, including many scientists, mechanics, and journalists, on the condition that if they died before 1930, they would certainly attempt to contact him “from the other side.” It is allegedly said that the inventor retained recordings of conversations with his friend and colleague William Dinudi, who supposedly contacted him from the “afterlife.” Moreover, documents confirming this, as well as the necrograph’s blueprints, reportedly survived and are held by a collector who acquired them from the heirs at the beginning of the First World War.
Cases Reported in Newspapers
According to researchers of this kind, electronic devices capable of detecting sounds and radio waves can convert a signal inaudible to the human ear into one that is perfectly distinguishable. In the 1930s, European newspapers wrote about this extensively.
First, Norwegian and British pilots, during a joint mission, heard strange voices in their headphones while flying as an entire squadron. Many officers insisted that they recognized their deceased relatives among the speakers.
Then, at London’s Wigmore Hall concert venue, hundreds of spectators witnessed an unusual phenomenon. As they prepared to listen to a concert and watched workers install a microphone on the empty stage, they suddenly heard voices coming from the speakers, uttering phrases in different languages. Sound engineers were unable to explain the phenomenon.
In September 1952, in Milan, two Catholic priests, Gemelli and Ernetti, installed a loudspeaker in a church so that all the parishioners could hear the Mass clearly. Since it was a festive service with many hymns, they decided to record everything on tape. Suddenly, during the Mass, the sound stopped and a phrase was heard: “I am always with you and I will help you!” After the service ended, the priests listened to the recording from beginning to end and recognized the voice captured on it—it belonged to one of their colleagues, who had died shortly before that day. The magnetic tape was preserved in the church.
“The Jürgenson Effect”
But the best-known documented case involved the Estonian-Swedish artist and documentary filmmaker Friedrich Jürgenson. In 1959, he recorded birdsong in a forest, and when he listened to the tape at home, he discovered that another recording had been superimposed on the sounds. A man was discussing the habits of birds in Estonian.
Jürgenson thought he had somehow recorded a radio broadcast about birds and even called all the radio stations that were operating. But it turned out that none of them had broadcast anything of the kind that day. When Friedrich Jürgenson listened to the same recording several weeks later, the ornithologist’s account was no longer there. Instead, the agitated voice of his mother sounded: “Friedel, my little Friedel, can you hear me?!” Jürgenson claimed that only his mother had called him that in childhood.
For several years, this artist and filmmaker devoted himself to studying possible communication with people who had died prematurely. In the 1960s, he wrote the books Radio Communication with the World of the Dead and Voices from the Universe.
One of his readers was the Latvian philosopher and professor Konstantin Raudive, who initially approached such research skeptically and even called it “the ravings of a madman.” Later, however, Raudive decided to test “radio communication with the dead” himself, recruited electronics engineers, and created a special receiver. With its help, he subsequently recorded several thousand mystical voices, one of which, he claimed, even belonged to the poet Vladimir Mayakovsky.
Based on this research, Konstantin Raudive wrote many books, a considerable number of which were later translated into various European languages.
However, amid such “bourgeois discoveries,” an interview with a local resident was published in one of the Soviet newspapers in Odesa in the 1960s. He said that he personally knew Friedrich Jürgenson. Until 1925, Jürgenson had lived in Odesa with his parents. He was an enthusiastic young man who sometimes attended the Odesa Art Academy, then dropped out and went to study music at the Odesa Conservatory.
Even then, Jürgenson considered himself extraordinarily gifted and artistically sensitive, and dreamed of becoming famous by seeing or hearing something otherworldly that he could capture on canvas or record in musical notation.
Sometimes people really do hear and see what they strongly want to experience. This may explain the numerous cases around the world in which audio and even video communication is established between living people and deceased relatives whom their families miss.
The possibilities of human imagination and desire are so boundless and so far from fully understood that doctors around the world seriously study the “placebo effect”—a sincere belief that some miraculous medicine is helping a patient recover from a fatal illness, resulting in an actual recovery.
Below is a playlist of various videos.
Scroll through it.
One of the videos in this playlist contains instructions on how to listen to messages of this kind.
Essentially, this is accessible to anyone. And the number of enthusiasts who are already communicating practically directly is growing, because electronic technology is now available to everyone—at least a smartphone and a computer.
Listen and watch:
View hidden content is available for registered users!
Once again, I want to repeat that what was discussed here has been studied since the 1930s! As soon as the discovery—invention—of recording broadcasts appeared, people immediately began noticing this phenomenon.
Last edited:
Key facts about the Bloop sound:
Why did the sound become mysterious?
Theories about its origin:
Can you listen to it?
Conclusion
1. Julia
2. Upsweep
3. Slow Down
